![]() ![]() Techniques for Mozart Keyboard Instruments 16Ĥ.4.6. At the end, there are closing statements for this research with conclusions.ġ.2 Research Methods for Technical Discussions 3īrief History of Classical Music and Its Instruments 4Ģ.3. Seventhly, there are score comparisons that describe how musical editions and urtexts interpreted the music and what they suggest. Hence, in this chapter, with analyzing of particular problems, there are figures how they ought to be solved and practiced by demonstrating examples and providing suggestions. Fifthly, there are explanations of a composition with analysis which would bring some ideas how it is related with certain technical potion and its instrumental and theoretical function. Fourthly, there is a disciplined encounter with technical difficulties of classical keyboard music. Thirdly, there are specific techniques and appropriate approaches towards the instrument in that time those are articulations, ornamentations, pedaling, tempo controlling, and phrasings used in keyboard compositions. Secondly, there are brief introductions of the time period and its material availability those can be technology-based which decide the ability of the instrument they had, influences of lifestyles and cultural references which leads to its music style. This contains introduction to this topic and its research methods. Firstly, there is an introduction to this topic. In other words, informing how to make a keyboard playing sound classical rather than Romantic, and giving evidences. Those arguments are not meant to limit musical abilities and possibilities with modern instruments, but rather to have distinctions and differences in time period of music such as Romantic. ![]() This research focuses on the way how Mozart keyboard music intended to be played with certain techniques and its literature in early classical period and how it should be approached.
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